Why Hurting Can Help

About eighteen months after my book was published I was informed it contained a typo. Where it should have said reins it said reigns. Now, I’ll not lie to you (how could I – and why would I want to?) – I was gutted. And embarrassed. I’d missed it – and not through being illiterate or sloppy. My book was not perfect. That editors had missed it too, and readers (as far as I’m aware) was no comfort. It really stung. 

And I told people about it, I mentioned it to author friends of mine. And most of them said don’t worry. It’s fine. Lots of books have typos. And although it’s not ideal, it’s not something that should cause anyone to give up writing.
And their warmth and their words helped. (It’s still something that irks me, but I’m over it.)
I received an email from a member of my writing group earlier. She’d had her first poem published and whoever had published it had made a mistake. It was formatted (cleverly) in a specific way and had ended up in the finished booklet wrong. Formatting out the window.
And I could see why she’d be upset. I know how much time she’d spent on it, and she wondered how it could have missed.
And I could tell her that I knew how she felt. And that, really, it was okay (the poem, to be fair, does look great even though it doesn’t look the same as she’d intended) and that people do make mistakes. And, I think, I cheered her up.
The most important thing is that it was published. Nothing should take the shine off that.
***
I hugely enjoyed this interview: Tania Hershman dribbling with Elizabeth Baines. Curious? Go have a look.

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Nik Perring is a short story writer, author, teacher of writing, and editor from the UK. His books include the widely celebrated Not So Perfect (Roastbooks, 2010), and A Book of Beautiful Words (2014). He co-wrote Freaks! (TFP/HarperCollins 2012), and A Book of Beautiful Trees is out in 2015.

0 thoughts on “Why Hurting Can Help”

  1. What irks me is when i submit some work and read it through again after i’ve sent it off. I ALWAYS notice something that i could improve, or a small mistake, and end up cussing and kicking myself.Nowadays i hardly dare read a submission through again, once it’s gone off – it’s too painful!

  2. It’s a proper bugger, isn’t it! And I get cross because I tell people when I run workshops that as writers, it’s our job to get the writing bits right. And we really should. But we are only human and when we do mistakes there’s no point wallowing. I should know ;)N

  3. Urgh, I know how you feel, Nik, there are several typos in my book that 4 proof readings and two sets of eyes missed. But the first reviewer didn’t miss them! That was bad. But it’s not the end of the world. And congratulations to your group member on her poem publication. I also just had my first poem published in a print mag and the formatting wasn’t what it was supposed to be, there were quite important italics missing… but we just need to get past that. It’s easy to dwell on these things, on the form rather than the substance, but as we well know, when you’re immersed in what you’re reading, you hardly notice those things, thank goodness!

  4. What wise words, as ever, Tania. I’m going to refer her to this (she recently read TWR and loved it – she’s a proper scientist too) – I think this’ll cheer her up even more than I did.Nik X

  5. It’s true that very few books have no typos whatever, but I can sympathise with your fellow group member.And it really is irksome, isn’t it when you’ve been over and over the proofs and then you spot one in the book! But that’s it about copy editing: the worst person to do it is the author because reading involves preconception: if you know what the text is meant to say, more often than not that’s what you see whatever is actually there on the page. That’s of course why mainstream publishers employ professional copy editors who have less preconception about the text than either the author or the editor.

  6. I had a story published once in a collection where they had pressed as many as possible into the collection – and the type was small amd the lines long and no space for the eye to rest… not at all how it had been written… I hated my own piece in that book… never subbed there again.D

  7. But hey at least you didn’t get one of your character’s names wrong! I did – in the paperback version of Thorn in the Flesh!! Though I corrected it for the eBook. I still wake up at night sweating about that one. Now it’s the only thing I see!!:))Axxx

  8. Oh Anne – I know how you must feel! Thanks for sharing. And isn’t it lovely to have so many great authors willing to be honest and helpful? Fantastic. :)Nik

  9. Before I started writing seriously I never ever saw typos in books. Now I see them all the time. Is there something called ‘writer’s eye’? :-)It always irks me when I see typos in my work (being a perfectionist lol) but it also reminds me how fragile creativity is.

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