Me, Caroline and a Scarecrow

I’m over at my mate’s today. Over at Caroline Smailes’ fabulous blog, where I talk to her about my book in a different way. She’s asked me questions based on something taken from each of the stories in Not So Perfect. It was a lot of fun. So if you want to see what I had to say about kissing, scarecrows, cooking, pets and Mr Men, then you really should click here. (She’s also put up a (bad!) sketch I did of my (everyone’s, surely!) favourite scarecrow. AND there’s the chance to win a copy of Not So Perfect.

***

And last night Tania Hershman told me something about my amazon ranking, which has got me checking it slightly more than I should. At the moment I‘m #9 in the short story best-sellers list. A HUGE thank you to all who’ve bought. No need to stop now, of course…!

***

And you should all go here too. It’s my good friend’s brand new blog. Carol-Ann will be taking the pictures at tonight’s launch. She’s @carolannc on twitter. Go see!

It’s Good To be Got

Really, really thrilled with what Scott Pack had to say about Not So Perfect today.

I am an admirer of his. I very much like what he’s doing at The Friday Project (Harper Collins); he publishes my good friend and phenomenal talent, Caroline Smailes; his blog’s brilliant, and through said blog he’s introduced me to some utterly corking books, including Dear Everybody by Michael Kimball, The Littlest Hitler by Ryan Boudinot and Thirteen, by Sebastian Beaumont. And, like me, he’s a Sarah Salway fan.

Yes. He knows his onions. And seems to have similar tastes to me. So I was very much hoping he’d like my book.

And he did. Thank god.

As well as saying that Not So Perfect is ‘a bit special’, he said I was reminded of Rhodes and Hempel while reading these stories, which are easily their equal, as well as occasional glimpses of Murakami, but I mostly kept thinking back to Sarah Salway. Salway is probably the best short story writer in the UK at the moment and she had better watch out because Perring is (albeit very politely, I am sure) on her tail.‘ 

which is just thrilling. I’m a huge Amy Hempel fan and I love Sarah Salway’s work. And to be mentioned in the same sentence as Murakami (who I really, really need to read, don’t I?) and Dan Rhodes is a real honour. And wholly unexpected.

Thank you, Scott.

(Full review here.)

***

I’m also over at fellow short story writer and good friend, Tania Hershman’s blog today, playing word association (which was loads of fun) and answering a question, possibly quite grumpily. I am very happy to hear her cat’s on the mend. Fingers crossed that continues.

***

It’s also day 5 of RobAroundBooks’ Flash Clash. I’m against Etgar Keret’s Uterus today, among others.

That’s it for now, I think.

Oh, other than to say that Not So Perfect’s published tomorrow. Yikes.

Top

It’s been a mixed couple of days to be honest. I’ve been a bit under the weather (amongst other things) but seeing what Sara Crowley said about Not So Perfect yesterday cheered me up no end, mostly because I love her work.

And then I noticed that I’d made it onto the top ten books of the year so far at Book Chase, which made me happy too. Being mentioned in the same list as people like Joyce Carol Oates and Tracy Chevalier is both an honour and an utter thrill. (You can read the original review here.)

And tomorrow I’ll be playing a word association game with Tania Hershman (whose cat has my very best wishes).

More Short, Short Story Goodness

There’s an excellent interview with the brilliant Tania Hershman over at the also brilliant Nicola Morgan’s blog today. It’s about flash fiction.One of my pieces is up there too, which is lovely. So pop over, have a look, enjoy, and if you’ve any questions for Tania, or any opinion on short, short, stories, good or bad, leave a comment.

Interview with The Bristol Short Story Prize



I’m delighted to welcome Joe Melia, the main coordinator of The Bristol Short Story Prize, to the blog for a chat about the prize and short stories. What a treat. Enjoy!



Welcome to the blog, Joe. So, tell us about The Bristol Short Story Prize.
Many thanks the invite, it’s a real pleasure to be here. The BSSP is an annual international short story competition that publishes an anthology of 20 previously unpublished stories and awards cash prizes to the 20 authors featured in the anthology. We’re in our 3rd year. We’re based in Bristol, hence the name, and try to involve lots of different facets of the city in what we do: for instance, the photos on our website are taken by a couple of photography students from Filton College, we invite journalism students at Bath Spa university to do interviews for our site and we invite designs for our anthology covers from final year illustration students at University of the West of England. These initiatives all take place annually.
How and why did it start?
The BSSP was founded by the editors of Bristol Review of Books magazine in 2007.  The magazine is a free quarterly that has features on the local arts and culture scene as well as lots of book reviews. The mag. has always published poetry and the idea for the short story competition came from the desire to support and publish new and exciting short stories and also to raise some money for the magazine to ensure it remained a free publication rather than filling it with advertising. The winning story in the BSSP also gets published in the magazine. The central idea from the start remains – to publish great short stories and reward the writers.
What do you look for when you select the judges? (Click to see this year’s.)
We’ve been very lucky with the judges we have approached so far, they have nearly all said ‘yes please’ straight away. Up to now we have stuck with the Bristol theme in selection- everyone on the judging panels we have selected has a strong connection with the city, this may well change in future years. The most important thing for us is that the judges have enthusiasm for the project and the short story in particular. Our chair Bertel Martin is one of the editors of Bristol Review of Books and heavily involved in the setting up and direction that BSSP takes, he also, writes, publishes and performs which brings an awful lot to the compiling of the shortlist. As well as Bertel, we have a couple of people who have some standing in the publishing/book industry, something we look to feature every year. We’re very lucky to have Maia Bristol (yes, that is her name!) UK sales manager at Faber & Faber and a big short story and new writing fan, and also Bristol publisher Helen Hart who has worked previously for Harpercollins- this kind of experience is invaluable in the judging process. We look for people who bring other things to the process, too: Joe Berger tells stories in many ways as a cartoonist, children’s writer and animator and he will bring a unique angle to the judging process. It was a great day for the city when Tania Hershman moved here last summer, as well as being a superb writer her enthusiasm for the world of short fiction (although she doesn’t like that term much!) is such an inspiration. I was reading ‘Go Away’ from her fantastic debut collection ‘The White Road and other stories’ for about the fiftieth time when she revealed on her blog that she was moving here- let the bells ring out, I thought!
What do you think of the state of the short story in the UK at the moment?
There are so many exciting things happening that it’s difficult to get to sleep at night thinking about future possibilities! Just off the top of my head, if you go outside the major publishers, some of whom consistently publish great collections- Atlantic, Faber etc. look at what Roast Books are doing, for instance- phenomenal stuff. ‘A-Z of Possible Worlds’ is one of the most courageous, groundbreaking acts of publishing it’s possible to imagine, it’s also a wonderful collection. And Comma Press, Salt Publishing– we look on in awe at what these guys are doing. Then there’s Short Fuse , Story Slam Live, Pulp.net short story cafe, Word Soup, Year Zero Writers live projects- such an active scene. And look at that list of magazines Tania put together the other day and the latest prizes to appear- Manchester and the Sunday Times (I think!), £25,000 first prize.
Here’s a scoop for you, Nik. We’ve been developing something for the last 18 months which will be piloted this year on a small scale and then, hopefully, if we get the funding, will be up and running in a big way for our 2011 Prize. In the next month or so Henbury school in Bristol will choose a story from our previous anthologies and a year 10 art class will produce pictures/images, in response to the story. The author of the story will visit the school to chat to the children about their writing, short stories, their story etc. and the pictures/images/works will be displayed in a gallery at the Arnolfini arts centre in Bristol during the day of our awards ceremony in July. Next year, we’ll open it out to 5 or 6 schools, who will all work on different stories and on different types of adaptations- drama, film, music, dance whatever they choose to do. These performances/exhibitions will be a major part of a day-long short story jamboree culminating in our awards ceremony in the evening. We’ve got lots of other stuff planned including a short story dj. It will be a big fiesta celebrating the vibrant and dynamic world of the short story and with it we hope to be contributing in our own small way to all the exciting things mentioned earlier. This has turned out to be a very long answer-sorry! Long term we hope to expand this to a weekend and then a few days but it’s early days and we don’t want to get too far ahead of ourselves.
Can you tell us a little about the prize’s anthologies?
They’re full of variety and different styles and great writing. There’s some historical fiction in there, humour, verse, stories that score highly on the quirkometre- some from experienced writers and some from those just starting out. One of the joys of the competition is finding out about the authors of the stories. All the stories are read anonymously and you always have a picture of the author when you read a story and quite often it turns out to be wrong, particularly the gender of the writer, get caught out by that a lot. And interestingly, knowing about the author can really alter the reading experience a great deal.
What, in your opinion, makes a short story great?
A really difficult question because there are so many different kinds of short story and different aspects of a short story that I really like and that are very effective. I do enjoy stories that really go to town on inviting the reader to ‘come to the aid’ of the writer, as Harold Bloom puts it, because it highlights one of the distinctive aspects of the short story ie the reader is often much more involved than in say, lots of novels, for instance.
Take Hemingway’s legendary six worder ‘For sale: baby shoes, never worn’ – it’s entirely up to the reader to fill in the gaps. Is this an unbearable tragedy with a baby dying or given up for adoption , or a domestic dispute over the colour of the shoes, is the baby alive and well but with unusually large feet, have the shoes been stolen and subsequently turn out to be extremely sought-after with a high market value, have they been sent to the wrong address and the occupants happen to be desperate for money? The possibilities are endless.
But I also think that great short stories have numerous other qualities-they leave an indelible mark, make you gasp, make you want to read them again and again, create an entirely convincing universe within a few lines, describe an episode or encounter or moment of realisation that not only effects some kind of change or eureka moment in a character but also the reader.
What do you think the future holds for the short form?
Nothing but brightness!  Short stories are one of the most basic and common forms of human interaction. Think about how many times stories are told- meeting someone in the street,  arriving at work,  having a haircut, visiting friends/family, a lengthy evening at the public house, a phone conversation. All of these occasions and more are full of stories. How are you? Did you have a nice weekend? How was your holiday? Did you hear about…? Wassup? – these prompts are everywhere, every second of every day all over the world and nearly always lead to a short story of some kind. I’d love a clever clogs somewhere to estimate the number of short stories that are related worldwide in a 24hr period – how many millions of pieces of short fiction would that be??
Also, having 2 small children makes you realise that short stories dominate pre-school reading- there are so many examples of Joycean epiphanies and Chekhov’s ‘note of interrogation’, it’s astounding-.The climax to ‘I’ll Show You, Blue Kangaroo?’ is a great example of the elusive Chekhov ending.  Short stories are everywhere and will continue to be. So the idea that gets banged around in some circles that no one wants to read or write them or buy books of them and that the short story is something that needs ‘saving’ is way beyond outright absurdamundo that it deserves no more airtime from this day forward. As Douglas Coupland says in his latest novel Generation A : ‘Without stories, our universe is merely rocks and clouds and lava and blackness. It’s a village scraped raw by warm waters leaving not a trace of what existed before.’
What would you say about flash fiction and short, short stories?
A great form and really powerful. They are unbeatable at delivering sensational knock-out blows- Lydia Davis is excellent at the art, for instance.  I’m still reeling from having read ‘Fear’ a week or so ago- it contains about 100 words and has a strength , intensity and resonance that defies belief. This is what flash fiction can do.
Do you think there’s anything more us short story writers (and readers) could and should be doing?
Just keep writing and reading stories. And write what you want, really want. Not what you think other people will want to read or something you think might be like another writer- just write your truth and stick to it. It’s wonderful the way in which writers support and encourage each other- it really is an act of courage writing something and letting other people see it. I have nothing but the utmost admiration for writers.
As a short story lover yourself, which five collections would you say are required reading?
Required reading is a tricky one. This is Earth’s toughest question!
If I may, perhaps I’ll give you 5 collections that immediately shivered my timbers and I return to ever such a lot (there are a lot more than 5):
          The Lady with the Little Dog and other stories’ Anton Chekhov
          Drinking Coffee Elsewhere and other stories’ ZZ Packer
          Burned Children of America’ ed. Zadie Smith
          My Oedipus Complex and other stories’ Frank O’Connor
          Not Her Real Name’ Emily Perkins
It would be a different 5 tomorrow and again the next day. Just thought of loads of others
Anything you’d like to add?
I’m looking forward to reading collections by these people very soon: Padrika Tarrant, Laura Van Den Berg, Sarah Salway, Gwendoline Riley, Panos Karnezis, about a zillion others and reading everything Lydia Davis has ever written.
Thanks once again for your kind invite, Nik.

From Rotten Things To The Awesome

Tania Hershman has compiled a list of every lit zine in the UK and Ireland. And she has shared it. Hugely generous. The things she does for short stories, eh? And the things she does for us!

Thank you, Tania.
(And I’m thrilled to be taking about something positive here after my previous post.)

Short Circuit

Just a little heads up really. Vanessa Gebbie will be here on Monday talking to me about Short Circuit – A Guide to the Art of the Short Story, of which she is the editor.

I’ve been flicking through it. It’s really rather good. I particularly like what Alison Macleod had to say (I’ve not read anything by her yet, this will change) and the essay in there by my good friendTania Hershman.


***

And in other news, I’ve just emailed my recommendation to the good folk over at One Book – bet you can’t guess which one I chose.

The Danger of the Single Story and a Clean Office

Do you mind if I’m a little smug? No? Good. 
But you want to know why I’m smug? Of course I’ll tell you.
I cleaned my office today. It no longer has more dust than a Philip Pullman novel. I can see the floor. I can see my desk. I even threw the stuff I haven’t needed for, like, months out.
I am organised.
Look!



***

I saw this on the brilliant Vanessa Gebbie’s blog earlier and just had to share it. It’s brilliant.
***
***
Also worth checking out is Michelle’s interview with Tania Hershman, on giving up the day job. She’s interviewed me about it too, I’ll link to it when it’s up (but I warn you, unlike Tania I sound rather grumpy).

On Writing and Place – An Interview With Me

A litttle while ago (well, months probably) I agreed to write a short piece on writing and place for Tania Hershman’s excellent blog. I started it many, many times over but couldn’t work out what I wanted to say. I knew what I thought about it, and I thought that that thought was a simple one. But just like that last sentence it was far more complicated than I’d anticipated.

Anyway. I’m interviewed today over at Tania’s blog, about writing and place. I think it makes sense. It does to me now. I’m interested to know what you think of it.

Special Birthday Post

A very warm welcome back to my very good friend, the super-talented Tania Hershman, who’s here to talk about things one year on (and is also here to talk to us about a free book giveaway…).

 

Tania, September 1st is a bit of a special date, isn’t it? Can you tell us why?

It’s the first anniversary of a dream come true, a dream I have had since I was 6 years old. It is the day, one year ago, when my book, The White Road and Other Stories, was published, the day no-one can ever take away from me, the day I became an author.

 

 

What’s happened over this last year?

It’s been quite a rollercoaster year, the highs were very high, but they came with some pretty bad lows. On the day of publication, I didn’t have a copy of my book yet, it hadn’t reached me in Israel, although other people had it in England. The day before Sept 1st I was pretty upset about this, it felt as though I’d given birth and someone else had my baby and I couldn’t see it.  However, the day itself was wonderful! I was utterly serene, I loved every minute of it. And then, when my book arrived a few days later, it was a wonderful, magical moment all to itself.

           

Because I am published by a small press, Salt, even though they are amazing and they made me this beautiful book, most of the marketing and promotion was and is down to me. And I have no clue about selling a book! Well, perhaps now I have a bit more of a clue. So, basically, I made it up as I went along. I built a website for the book, I set up a Facebook Page, I organised a hectic 11-stop Virtual Book Tour where I was interviewed on 11 blogs over 11 weeks about everything from my love for science to writing and religion…. I cajoled as many people as possible into writing reviews….I obsessively checked my Amazon rankings, searching for some indication of whether what I was doing was working. And whirring through my mind, all the time, was: “How can I sell the book? How can I sell the book?” It was a bit of a shock, having to not only become a salesperson but having to overcome my natural modesty and shyness and shout out: “Buy my book!” but every time I find it on the shelves in a bookshop, just after Hemingway (!) I am close to tears.

           

Getting used to the idea of people reading my book was another odd thing. I didn’t imagine many people would, and I never dreamed that they’d want to talk to me about it. And slowly, slowly, over the 12 months, I have had to get used to the idea of people I don’t know and who are in no way related to me who want to talk to me about my stories!

           

I would be lying if I said that this was pure and unadulterated joy. I would be lying if I didn’t say that I found some of this extremely stressful. I am going to be honest here and say that I got to a point, several months in, when I felt completely overwhelmed by it all, by the unexpected attention in my home city as well as online, and it caused me to physically retreat from the world for a while. I am by nature quite a shy person, and I began to suffer from anxiety for the first time in my life. My body, it seems, decided to protect me in rather an extreme manner!

           

However, luckily, I have a rich online life and I have wonderful writer friends who understand that while many people would assume having a book is easy and joyful, it can also be difficult. Your dream has come true, so what do you do next? And who are all these people reading your book??! But – and this is important – I wouldn’t have it any other way. It is totally wonderful. When someone says to me, “I don’t normally read short stories, but I really enjoyed your book,” there is nothing better than that! And when New Scientist magazine not only gave my book a glowing review in their Christmas Books Special but also published the title story, which is inspired by a New Scientist article,  on their website – all my wildest dreams were realised!

 

 

What’s been the biggest surprise?

Being commended for the Orange Award for New Writers was an enormous surprise, and a shock! I had no idea I was being put in for the award, and found out about the commendation from a Google Alert for my name. But somehow, while I couldn’t get my head around my book being noticed in this way, what I felt about this was pure and unadulterated joy. It lifted me, that the judges said of me and the other commended writer that they want to see more of our writing. It made me grin and grin and grin.

           

The other surprise, though, is that I thought that the validation of my book being published would last for a while. The “your writing is good enough” feeling. And yet, the very next day, September 2nd, I was back to checking on the stories I had submitted to contests and to literary magazines, wondering when they might reply to me, hoping they accept what I’d sent, that I might get longlisted, shortlisted. So, 24 hours of validation. That’s it. But again this is a good thing. Otherwise I might have stopped, rested on my laurels, not cared. The stories in my book were written between 2003 and 2006, I have many stories, mostly flash fiction, written since then, and am writing more all the time. I don’t want to stop. I don’t want to stop caring. Each acceptance is a boost, but I never want to feel so complacent, so confident that it doesn’t matter anymore.

           

And the third surprise was finding out a few weeks ago that I am currently Salt’s bestselling book – and no 4 on their all-time bestsellers. That was hard for me to process, I just don’t know what to make of it other than that it doesn’t really have much to do with my writing (lots of people may have bought it, but they might not have enjoyed it) but that my marketing efforts definitely did pay off! I was doing something right, it seems.

What’s the biggest change that being published has been responsible for?

Hmm. Biggest change. Well, it’s not in my bank account! I guess that it’s about my confidence. This has been an enormous shift for me, from writer to author. I had had stories published, but to hold your book in your hands, as I am sure you know, Nik, is a completely different feeling. And when the Orange commendation happened, this intensified: I felt suddenly that I  was being seen, and that I could do anything. I am still feeling that way, happy in my own writer’s skin, writing what I want to write, not what someone else might want me to write. There are several agents I am in touch with, but I don’t feel in a rush now with anything.

 

 

Is there anything you’d have done differently?

Another good question! I don’t think so. I really don’t. No regrets. I am a first-time author, I learned as I went along, everything was useful. Other writers were enormously supportive and helpful, the Bookarazzi Bloggers with Book Deals group especially, they listened to my rants and moans and gave me the benefit of their experience.

 

 

Has anything disappointed you?

Going to the Orange Awards ceremony was the biggest disappointment. Even though some might say I was ungrateful, I felt I had to write about this on my blog because I was so upset. First, it wasn’t about books, it was about champagne and shmoozing, which I was naïve about so now I know! But Salt was going through enormous financial difficulties at that point, and a mention at the awards ceremony of the two of us who were commended could have been wonderful for them. The stated aim of the award was to give new writers a boost, so not to mention the two of us who were singled out for commendation was a shame.

           

But then, the worst disappointment came when the judge of the award, which is for “novels, novellas and short story collections”, told the assembled throngs how much she enjoyed reading “all the novels on the longlist”. Short stories? Gone. Novellas? Vanished. On the bus home, I cried.

 

 

What have you learned?

I’ve learned that I can sell something, that I am pretty good at this Web stuff and can use it to promote my writing. I’ve learned that it’s sometimes more about creating “buzz” than about the quality of the writing. I’ve learned that it’s ok to ask people to buy and review your book, it isn’t vulgar or shameful! I’ve learned that being published by a small press is most certainly not a disadvantage, that Salt loves their authors and the books they publish and are doing everything they humanly can (and sometimes more) to keep on doing what they do. I’ve learned not to put enormous stock in what reviewers say, both the glowing and the critical. I’ve learned not to respond to questions about particular stories because I have to let them go, it’s not about me any more, it’s not up to me to “explain”.

 

 

Do you think that there’s been a shift in the perception of the short story at all over this past year?

I don’t really see it myself. As editor of The Short Review, we get many offers of short story collections for review every week, so there are more out there than you might think, but are mainstream publishers shoving aside novelists as they rush towars the hot new short story writer? No. They aren’t. Foolish, foolish people! But at least there are publishers like Salt, Comma Press, Two Ravens Press, Dzanc Books, Rose Metal Press and others who are championing great writing in whatever form it happens to be. Please support them!

 

 

What will this year bring?

A calmness, I hope, and a move away from thoughts of promotion and selling towards more focus on writing, but not necessarily on “the next book”. Just writing for the joy of it. Last week, we  relocated ourselves and our two cats from Israel, where I  lived for 15 years, to Bristol, UK. It seemed the right choice for many reasons, among them the thriving arts scene here. In Israel there is no funding body for artists and writers, and if you are writing in English, there is not much of a literary scene. I am already looking forward to reading at the launch of the latest issue of the London Magazine  (ICA in London, Sept 11th ) and at Ride the Word XV (The CAFE YUMCHAA 45 Berwick Street, Soho, London W.1 Wed. 23 September, 7- 9.15pm Free admission), and to hearing Margaret Atwood in Bristol on Sept 9th, and then going to the Small Wonder short story festival in Lewes, E Sussex at the end of Sept. It feels like a treasure trove of delights, and it’s all in English… which is certainly a relief and a delight. 

 

I have many, many ideas, some related to short stories and cake, which I am looking forward to developing! Nik, thanks so much for having me. Just a quick last promotional plug: I’m doing a 1st birthday giveaway of signed copies on my blog, so pop over there and you could win!